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Facing Fall’s Primary Makeup Trends via [OceanDrive and ImageAmplified]

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Facing Fall

Bold eyes, bare skin and matte lips—the season’s new looks are anything but ordinary


By Anne-Marie Guarnieri


TOM PECHEUX FOR ESTEE LAUDER
Created for the Derek Lam Fall runway 

For its New York Fashion Week debut, Estée Lauder tapped the veteran makeup artist to create the look for Lam. Pecheux, whose handiwork has graced multiple Vogue covers and campaigns for luxury brands like Yves Saint Laurent and Gucci, was appointed creative makeup director for Estée Lauder in 2009; for Lam’s show, he created a smoky blue eye and beige lip that translated into his premiere Fall collection for Lauder, called Blue Dahlia.

TO GET THIS LOOK
Pure Color gloss in Twilight Petal ($20) and Pure Color Five Color eye shadow palette in Blue Dahlia ($40), Estée Lauder. Macy’s, 1675 Meridian Ave., Miami Beach; macys.com

LISA BUTLER FOR NARS
Created for the 3.1 Phillip Lim Fall runway

“Disco-punk” is how the designer described the edgy-eye and matte-lip look that Butler created for his show. Applying multiple layers of color to perfect the rock ’n’ roll vibe, Butler used brown-black shadow and plenty of liner, while keeping the skin essentially bare with just a hint of honey-pink on the cheeks. But what really made this face modern was the matte lip: not too dry, not too creamy—just a perfectly neutral, shine-free pout.

TO GET THIS LOOK
Douceur blush ($26), Pure Matte lipstick in Bangkok ($25) and Coconut Grove eye shadow ($23), Nars. Neiman Marcus, Bal Harbour Shops, 9700 Collins Ave.; neimanmarcus.com

LUCIA PIERONI FOR MAC
Created for the Jason Wu Fall runway

Pieroni created a “boyish but not masculine” look to complement Wu’s collection, elements of which were inspired by the film The Piano and colors found on furniture in Wu’s studio. Eyes were a silvery gray that reflected the light in a way that looked more ethereal than straight-ahead metallic. She kept the skin cool with a slight glow, applying concealer only where needed and highlighter on cheekbones. Lips were soft and nude—an effect achieved by using just a tiny bit of balm, patted in to give a matte finish.

TO GET THIS LOOK
Platinum Pigment ($19.50), Lip Conditioner SPF 15 ($14.50) and Opulash mascara ($14), MAC Pro. 1107 Lincoln Road, Miami Beach; maccosmetics.com

Photographs by david lewis taylor (mac still); michelle bateman (gloss smear); morgan eastlack (nars shadow)

ALLURE MAGAZINE: Cameron Russell in “Ripe Plum” by Michael Thompson

ALLURE MAGAZINE Cameron Russel in Ripe Plum by Michael Thompson. November 2010, www.imageamplified.com, Image Amplified (2)

Ma: Allure
Mo: Cameron Russell
Ph: Michael Thompson
ALLURE MAGAZINE Cameron Russel in Ripe Plum by Michael Thompson. November 2010, www.imageamplified.com, Image Amplified (1) ALLURE MAGAZINE Cameron Russel in Ripe Plum by Michael Thompson. November 2010, www.imageamplified.com, Image Amplified (3)
ALLURE MAGAZINE Cameron Russel in Ripe Plum by Michael Thompson. November 2010, www.imageamplified.com, Image Amplified (4)
@TFS



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The Winter 2010 Haute Hair Restoration Project via [HueKnewIt]

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Hue Knew It Beauty Blog

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HAUTE HAIR: The Great Weave Debate

omarosa and hue knew it sophia alston and hue knew it celebrity hair stylist and hue knew it weaves and hue knew it pantene and hue knew it hellobeautiful.com and hue knew it

Photo Credit: Russ Einhorn/Splash News – Omarosa

To weave or not to weave. That is the question.

The level of discussion that surrounds a black woman’s hairstyle (relaxed or natural, short or long) is one that is never-ending. But whatever side of the issue you fall on, one thing is true – you still need to wear a style that you makes you look your absolute best and what better person to be the star of today’s discussion than reality television star, Omarosa.

Omarosa (or Lady O as she is called on The Ultimate Merger), has worn a variety of weave styles as evidenced here, and has done so unapologetically. But many struggle to take the first step in donning a weave because they’re afraid of how they will be perceived by others. The entry entitled, Hair Problems Solved: Combat Premature Balding which talked about the damaging effects of neglecting one’s own hair while wearing a weave spurred some debate among women and some brave men – just check out the comments on:

Hellobeautiful.com.

Celebrity stylist, Sophia Alston shares her expert opinion on which styles do and don’t work for everyone’s favorite villain.

Off the face is a no-no: The first look isn’t the best style for her, however, the brown color is a do.

The bang is too severe: This weave looks well done, however, the black color is too harsh and the straight bang isn’t very becoming. An off-black color might have been a better choice.

Sophia loves Omarosa’s look with the side swept bang because it softens her appearance.

To keep your weave in the best condition for as long as possible, just follow Sophia’s suggestions:

1. Treat your weave like your own hair by shampooing it at least every two weeks with Pantene Pro-V Color Hair Solutions Color Preserve Shine Shampoo ($5.97, walmart.com) and sit under the dryer so your hair and braids avoid mildew. If you don’t let it dry, then you risk an odor-filled scalp which is a smell that’s hard to remove.

2. Keep the color of your hair looking shiny and healthy by using The Pantene Color Nourishing Treatment ($3.97, walmart.com). These Pantene products (and really any product from the entire color line) is perfect to use to keep your weave in tip-top condition.

Should you or shouldn’t you? Synthetic or human hair? These questions and more will plague you until you come to grips with not caring about what anyone else thinks and going for it.  Your concern should only be what style looks best on you.

HAUTE HAIR: How to Get Beyonce’s Volume

beyonce and hue kenw it long hair styles and hue knew it wavy hair styles and hue knew it samy fathair and hue knew it goody and hue knew it hot tools and hue knew it

Long, straight hair is one thing, but waves add an interesting textural element that also softens your look. To get cascading, sultry, sexy hair like Beyonce’s, you just need the right tools of the trade and to follow these steps:

Step 1: Divide your hair into 2-inch widths.

Step 2: Curl them in opposite directions with Hot Tools Gold Curling Iron 2” ($37.59, ulta.com). Make sure to curl the pieces along your hairline away from your face.

Step 3: Spray your hair with Samy FAT Hair 0 Calories Amplifying Hair Spray ($12.99, walgreens.com). Fat Hair shapes, holds and is an amplifying mist that adds extra volume and shine to all styles and leaves it feeling soft.

Step 4: Brush your hair lightly with Goody’s Pro Dual Bristle Oval Brush for Volume (walmart and target stores).

Step 5: Finish by raking your fingers through your hair for a slightly unfinished look.

HAUTE HAIR: Rehab Dry & Brittle Hair

kenya moore and hue knew it aphoghee and hue knew it dry hair and hue knew it brittle hair treatment and hue knew it hot oil treatment and hue knew it queen helene and hue knew it phytospecific and hue knew it

Hearing your hair snap as you comb through it can be as traumatic as having a loved one do the unthinkable and play in your hair and you hear the comment, “wow, your hair feels a little rough.”The horror!

Rather than worry yourself into a craze, concern yourself with reviving your dry & brittle hair and turn it into shiny & lustrous hair like Kenya Moore’s. If you don’t have an appointment lined up with your stylist, it’s easy to do a series of at-home treatments to make this transformation happen on your own.

No time. No problem. Do a one-step treatment if you suffer from hair breakage with ApHogee’s Keratin 2 Minute Reconstuctor ($9.99, sallybeauty.com). It’s made specifically for home use between salon visits, so there’s no way you can make a mistake. This product is a concentrated blend of keratin amino acids, botanical oils, and vitamins that does a wonderful job of restoring strength and softness to hair that requires a deep, penetrating treatment.  It’s recommended on tinted, bleached or relaxed hair. ApHogee Keratin 2 Minute Reconstructor even helps to repair damage caused by chlorine and hard water. It soothes irritated scalps and can be applied following each shampooing until the healthy condition of the hair is restored.

To use, just apply to clean hair in the shower and rinse to treat brittle hair with cuticle damage and moderate breakage.

If you need a root to tip treatment and you have no time commitments, Phytospecific Intense Nutrition Mask ($28, sephora.com) is a good option. It improves strength and elasticity. The ingredients include an interesting mix of (but aren’t limited to) mango seed, plaintain, quinoa oils which hydrates and fortifies and vitamin E which sooths the scalp. There is also wheat amino acids and wood cellulose which help lock in moisture and detangle your hair. After using this product you will notice that your hair will feel hydrated, soft, and very strong.

To use, shampoo hair and towel dry. Apply a generous amount of product to your entire head and then put on a plastic cap. Sit under a dryer for at least 10 minutes. Rinse and continue styling.

Queen Helene Hot Oil Treatment (local beauty supply stores) is a product that many have used in their homes for years, but for those of you new to the Queen Helene phenomena, a hot oil treatment is yet another way to lock some moisture into your otherwise, dry, drab hair.  It also restores softness, shine, manageability, breakage and split ends.

To use, simply shampoo your hair and towel dry. Place bottle in a cup of hot tap water for one minute. Massage 1 oz of warmed oil into hair and scalp. Cover hair with a dry towel for three minutes. Rinse thoroughly with warm water. Towel dry and style. This heat-activated treatment penetrates deep into towel-dried hair to control damage caused by chemicals, over-processing and weather exposure.

HAUTE HAIR: Turn Fine Hair into Fuller Hair 

Quantcast

Not everyone’s blessed with thick strands of hair which is why weaves and wigs have become the norm, and in some cases an unfortunate crutch. What would you do if you had fine hair like the chanteuse Toni Braxton, who from her early years as a recording artist never had the fullness that she boasts as of late (with the help of a weave no doubt)? Would you treat your underlying issue and use some of the following products to bring some fullness to what nature blessed you with or add superficial fullness to give you a little extra confidence?

Folicure Moisturizing Conditioner ($6.39, sallybeauty.com) is part of line that was formulated to develop fuller, thicker hair for men and women. This particular moisturizing conditioner is the first everyday use, rinse-out Folicure conditioner. It leaves your fine, delicate hair smooth, shiny and full while it stimulates your scalp with a refreshing tingle.

Many of you have of the Bosley System for men’s hair loss, but there’s a line specifically made for women as well. Bosley’s Professional Strength Bos Defense Nourishing Shampoo for Normal to Fine Hair for Non Color Treated Hair ($18.99, haircarechoices.com) is a sulfate free cleanser helps to promote hair growth by removing buildup and toxins like D.H.T. (a male hormone that stops hair growth, in other words it stops hair growing from the roots) from the hair and scalp. This shampoo nourishes, strengthens and fortifies your hair follicles to result in thicker, fuller looking hair.

Marc Anthony’s Instantly Thick Hair Thickening Cream ($7.99, ulta.com) is a little different in it’s ability to thicken your hair. If you have what is typically called “wet & go” hair and you get blow outs then this may be the perfect product for you. This product is formulated with phytokeratin which wraps a secondary layer around each and every hairstrand. Also provides heat protection and shine. This heat activated cream is used after you shampoo and condition your hair. To use: Apply the cream from roots to ends on damp hair, the hair is thickened by the blow dry process. For added lift and hold, combine with other Instantly Thick™ styling products.

Hue Knew It? I did.

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NEW Fragrance Review : Yves Saint-Laurent Belle d’Opium via [basenotes, vex in the city, and nstperfume]

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Belle d’Opium Yves Saint Laurent commercial

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}}1.{{ via vexinthecity.com

YSL Belle D’Opium

My Mum is a huge fan of the original YSL Opium fragrance, it’s her favourite perfume. I on the other hand am not. I find it far too spicy, heavy and heady for my sensitive snout and I was a little apprehensive about trying Belle D’Opium, the new sister fragrance to this iconic scent.
I’ll never forget the day I bought Opium for my Mum knowing how much she loves it. I had a sniff one day and it almost blew my head off! It takes one hell of a woman to rock Opium and Belle D’Opium despite being dubbed as the ‘next generation’, younger version doesn’t quite match up to the original. It still has those woody tones to it, but I find it lighter and easier to wear.
https://i1.wp.com/www.mimifroufrou.com/scentedsalamander/images/Belle-opium-commercial.jpg

Am I the only one reminded of that those Turkish Delight adverts that used to come on in the 80s when they look at this promo shot? I don’t find the image very alluring, despite that clearly being its intention.

Its notes are a combination of casablanca lily, sandalwood, jasmine absolute, white pepper, gardenia and hookah accord, it’s less spicy than the original Opium, yet, still a warm scent which compliments this time of year and which I think would bode well as an evening perfume.
I’m a big fan of the bottle, which I think is sexy, unique and looks attractive amongst my other perfume bottles. I am indeed a sucker for pretty packaging!

Love the bottle!

My initial thoughts on the scent itself? It doesn’t last very long, it had all but faded away within an hour, leaving a faint trace of amber-like goodness in its wake. I think this will be disappointing for fans of the original as it’s basically a watered down version. I don’t dislike the scent but it doesn’t blow me away. I’d rather keep re-purchasing my beloved Bath & Bodyworks Sensual Amber for a fraction of the price instead, which lasts for hours and dare I say it, smells much nicer!
No doubt my Mum will still love this being the Opium obsessive she is!

Prices start at £39 for 30ml

}}2.{{ via nstperfume.com

Yves Saint Laurent Belle d’Opium ~ fragrance review

Posted by Angela  

Yves Saint Laurent Belle d'Opium advert

On first smelling Yves Saint Laurent Belle d’Opium, two words came to mind, and they weren’t “must buy.” No, they were “hairspray oriental.” I like some of Opium’s flankers — the lovely Fleur de Shanghai* is a treat on a summer’s night. But rather than referring to Belle d’Opium as a flanker, YSL calls it the “next generation” of Opium. If that’s the case, somebody please talk to Opium about birth control.

Perfumers Honorine Blanc and Alberto Morillas developed Belle d’Opium, giving it notes including Casablanca lily, sandalwood, gardenia, white pepper, jasmine, and narguile accord. After a generous spray of Belle d’Opium, I smell a hint of orange before gardenia takes over. The gardenia isn’t the wet, tropical gardenia of Estée Lauder Private Collection Tuberose Gardenia or even Jovan Jungle Gardenia, but is a thin, synthetic flower coated in Aqua Net. A thread of tobacco and fruit run through the gardenia. The tiniest bit of jasmine hums along, too. Because of a little resin and amber, Belle d’Opium does smell like a high-pitched relative of Opium, but without Opium’s drama and deep, clove-y spice.

Just when I thought I had Belle d’Opium pegged as a synthetic, screechy gardenia-based oriental, a thin, woody musk asserted itself. The fragrance began to reorient itself to what some perfume companies have been calling a “modern chypre,” smelling more to me like bug spray than bergamot-oakmoss-patchouli-wood-labdanum of a real chypre. This foul accord has torpedoed too many department store launches over the past three years, and I hope it ends soon. For me, it’s a one-way ticket to a migraine. I’ve read reviews of Belle d’Opium lamenting its lack of persistence, but on me it lasts a good four hours.

In an article in Elle magazine**, perfumer Calice Becker compares mainstream perfumes to formulaic romantic comedies. “With mass perfume, it’s the same: We go for the stars that we know everyone likes.” But the same article goes on to quote Vera Strubi, the former president of Thierry Mugler perfumes. About Angel‘s launch, she says, “That’s when I realized that if you want a fragrance to be memorable, it can’t please everybody.”

Yves Saint Laurent Belle d'Opium perfume bottle

Opium took a bold stance over 30 years ago, and it still sells well, offending and delighting across the globe. Belle d’Opium, on the other hand, tries to be a romantic comedy, if with a vaguely oriental feel. I doubt Belle d’Opium will never win an Academy Award. Heck, I’d be surprised if it made it to Dancing With the Stars.

Yves Saint Laurent Belle d’Opium is available in 30, 50 and 90 ml Eau de Parfum.

*If anyone at Yves Saint Laurent is reading, please bring back Fleur de Shanghai!

**April Long, “As You Like It.” Elle, November 2010, page 242.

https://i2.wp.com/www.perfumesyregalos.com/874-1009-large/YVES-SAINT-LAURENT-BELLE-D-OPIUM-30ML.jpg


Belle d’Opium (2010)
by Yves Saint Laurent

Belle d’Opium Fragrance notes

Casablanca lily, Sandalwood, Gardenia, White pepper, Jasmine, Narguile

via [Basenotes]



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“Perfumes: The Guide” by Luca Turin and Tania Sanchez via [Allure and Luckyscent]

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Perfumes - The Guide  by Luca Turin and Tania Sanchez

Perfumes – The Guide
by Luca Turin and Tania Sanchez

Perfumes: The Guide (Hardcover)Perfumes: The Guide (Hardcover) by Luca Turin (Author) Tania Sanchez (Author)
Buy used from: $23.00

The Scoop
Luca Turin and Tania Sanchez are experts in the world of scent. Turin, a renowned scientist, and Sanchez, a longtime perfume critic, have spent years sniffing the world’s most elegant and beautiful–as well as some truly terrible–perfumes. In Perfumes: The Guide, they combine their talents and experience to review more than twelve hundred fragrances, separating the divine from the good from the monumentally awful. Through witty, irreverent, and illuminating prose, the reviews in Perfumes not only provide consumers with an essential guide to shopping for fragrance, but also make for a unique reading experience.
Perfumes features introductions to women’s and men’s fragrances and an informative “”frequently asked questions”” section including: 

  • What is the difference between eau de toilette and perfume?
  • How long can I keep perfume before it goes bad?
  • What’s better: splash bottles or spray atomizers?
  • What are perfumes made of?
  • Should I change my fragrance each season?

Perfumes: The Guide is an authoritative, one-of-a-kind book that will do for fragrance what Robert Parker’s books have done for wine. Beautifully designed and elegantly illustrated, this book will be the perfect gift for collectors and anyone who’s ever had an interest in the fascinating subject of perfume.

 

Adore or odour?

THE BEST…

Mitsouko
L’Heure Bleue
Chanel No 5
Joy
Shalimar
Angel
Diorella
Chanel Pour Monsieur
Timbuktu
Knize Ten

AND THE WORST…

Creed’s Love in White
Chanel Gardenia
Michael Kors

The Classics

Some of these five-star landmarks definitively changed the history of perfume, and some stand the test of time because they continue to smell fantastic, decade after decade.

By Tania Sanchez

Chanel No. 5 (1921) and No. 5 Eau de Toilette (1924) Two monuments of perfect structure and texture.

Mitsouko by Guerlain (1919) Dark, rich, and exquisitely beautiful.

Habit Rouge by Guerlain (1965) A soft and rasping scent, like stubble on a handsome cheek.

L’Heure Bleue by Guerlain (1912) Guerlain at its best; a wearable praline.

Opium by Yves Saint Laurent (1977) The most distinctive spicy oriental ever.

Pleasures by Estée Lauder (1995) This antidote to the loud fragrances of the 1980s; smells fresh out of the bath.

Shalimar by Guerlain (1925) The perfect little black cocktail dress, translated into fragrance.

Angel by Thierry Mugler (1992) A huge, brassy belly laugh of a scent.

Vol de Nuit by Guerlain (1933) This is what quality smells like.

White Linen by Estée Lauder (1978) The smell of snow in sunshine.

Five-Star Scents

We rank fragrances, giving five stars to masterpieces, four stars to excellent fragrances, three stars to solid, yet uninspiring ones, two stars to disappointing scents, and one star to fragrances so vile they insult the smeller. And we call them like we smell them. One startled PR assistant asked coauthor Luca Turin, after he requested an actual perfume and not just press releases, “What will your opinion rest on?” He answered, “A triangular appendage in the middle of my face—called the nose.” 

By Lucia Turin and Tania Sanchez

Badgley Mischka
Gorgeous Fruity
The first thing I noticed was a big, breathtaking fruity top note, which I promptly forgot about, since what doesn’t have a big fruity top note these days? The second time, I was floored by the lushness and freshness, reminding me of ripe fruit before everything goes to brandy—peaches, mangoes, lychees, pineapples. Like church bells on Easter morning, this is simple and perfect and sure. It’s like a novel in which the hero discovers that his friend is the most beautiful girl in the room, and only familiarity prevented him from seeing it was time to face the facts: It’s love.

Beyond Paradise by Estée Lauder
Symphonic Floral
What is so impressive about Beyond Paradise’s masterful portrait of a fresh, fictional, ideal tropical flower is that the image holds steady for hours. It takes a lot of work to make something this accomplished appear this easy. Lovers of exotic beach-fantasy florals put out by niche firms should pick up the weird sci-fi rainbow nipple bottle at the Lauder counter and give it an honest try.

Calyx by Prescriptives
Guava Rose
Calyx maintains a perfect balance between clean crispness and rosy sweetness without ever falling into either camp completely. For a scent of the ’80s—1986, to be exact—Calyx also manages to smell incredibly fresh and modern. This scent helped inspire the next generation of fruity, clean florals, although none have really improved on it. It’s one of those rare fragrances you could wear your whole life.

Chinatown by Bond N.Y.C. No. 9
Gourmand Chypre
The plucky Bond No. 9 has produced its masterpiece. Chinatown is one of those fragrances that smells immediately, compellingly, and irresistibly great. It’s both oddly familiar and surprising. Some people find it too sweet. To my nose it smells like a corner of a small French grocery in summer, in the exact spot where the smell of floor wax meets that of ripe peaches. A treasure in a beautiful bottle.

Lolita Lempicka by Thierry Mugler
Herbal Angel
With most of the many fragrances inspired by Thierry Mugler Angel, the first thing you think on smelling them is: Hello, Angel. Not this time. Lolita Lempicka keeps the sweet, woody stuff but skips the push-up bra. The fragrance is snappy and smart, the ideal accompaniment for flirtatious banter from prim girls in glasses. It’s also a clever feminine that clever men can wear. I once got on a subway just as a pretty young man stepped off in a cloud of it. Bonus: darling bottle.

Missoni
Kaleidoscopic Floral
I have no idea whether this perfume will still be around in ten years, but I will make sure I have enough of it to last me a lifetime. Missoni is one of the most accomplished fragrances to be created in years. The fragrance alters as it dries on the skin; it’s beautifully modulated, and then it has a luminous, almost minty accord. The subsequent effect is a perfume that feels very much alive, somehow composing itself as it goes along. Most other perfumes are rapidly fading photographs; this one is a movie.

Tommy Girl by Tommy Hilfiger
Tea Floral
No fragrance in recent memory has suffered more from being affordable than Tommy Girl. It’s as if it were deemed less desirable for being promiscuous. Tommy Girl’s origins were explained by its creator Calice Becker, who asked a chemist to sample the air in the Mariage Frères tea store in Paris to figure out what gave it its unique fragrance. To this tea base an exhilarating floral accord, traje de luces, was added to form Tommy Girl. Hilfiger’s public relations team asked Becker for a reason to label the fragrance as typically American. A botany expert was called in, and, to everyone’s surprise, the composition fell neatly into several native American varieties of flowers.

Reprinted by arrangement with Viking, a member of Penguin Group (USA) Inc., from Perfumes: The Guide by Luca Turin and Tania Sanchez, copyright ©2008 by Luca Turin and Tania Sanchez.




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Cuter Ammunition for Your Beauty Arsenal. Stay strapped! via [Marie Claire]

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Lucky Charms: Beauty’s Hidden Treasures

Magical thinking: Fashion finds that transform into perfumes and glosses.

Magical thinking: Fashion finds that transform into perfumes and glosses.

1. Dressed to Thrill Diesel Fuel for Life Unlimited EDP, $58.

2. Bag-Ette Dior Lady Dior Parisienne Chic Palette, $95.

3. Key to the Kingdom Vera Wang Princess Sparkling Crème Parfum Key Chain, $38.

4. Bandit Queen Urban Decay Stoned Poison Ring With Lipgloss, $50.

5. Muse Times Two Yves Saint Laurent Palette Duo Pour Les Levres, $65.

6. On the Fly Bath and Body Works Butterfly Flower Solid Perfume, $19.50.

7. Sunny Honey L’Occitane Honey & Lemon Delicious Gloss, $9.

8. Heaven on Earth Victoria’s Secret Heavenly Bloom Solid Fragrance Ring, $30.

9.Cat Trick MAC Hello Kitty Mirrored Key Clip, $16.




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The 10 Best Foods for Your Looks via [msn/good]

The 10 Best Foods for Your Looks

You can slather yourself from your forehead to your pinkie toe in organic lotions, but if you think that alone will make you glow, we have some bad news. From its well documented health benefits to its undeniable impact on physical beauty, good nutrition is the pillar of every kind of healthy lifestyle. That doesn’t mean you need to swear off bacon and beer or anything. The trick is finding the right balance.

But with new studies coming out every month about what we should put in our mouths—not to mention the unending discovery of mysterious superfruits from deep in the forests of wherever—it can be hard to keep track of what, exactly, we should be eating. To simplify things, here’s a can’t-go-wrong shopping list. Bon appétit!

1. Tomatoes. Organic tomatoes are loaded with lycopene, a powerful antioxidant shown to help fight illnesses of all stripes. They’re also loaded with vitamins C and A, and if you believe Dr. Oz, they could be as good or better than açai and goji, those trendy, expensive antioxidants you couldn’t stop hearing about for a few years.
2. Green tea. In a nutshell, people who drink green tea have about a dozen health advantages over people who do not—from cancer prevention to longevity to gentler skin aging—thanks to its antioxidant polyphenols. Organic green tea is preferable (nothing undoes positive health effects like a load of pesticides) and can be found in bulk for cheap at large grocery stores.
3. Broccoli. This is the item on the list you’d be best off learning to love if you don’t already, because its nutrition profile beats out all other veggies according to a Harvard University study. It has well-documented anti-inflammatory effects, which can help with everything from eye health and arthritis to heart disease and sun damage. Eat it a couple of nights a week if you can. A favorite simple recipe is broccoli steamed with olive oil, salt, and garlic.
4. Salmon. You obviously want to be careful about sourcing when it comes to any fish choice—check out the Monterey Bay Aquarium‘s new recommendations for salmon here—but the short version is, wild Alaskan is a good bet. Salmon is loaded with anti-inflammatory omega 3s, healthy fats, and vitamin B12. Bonus side effect: Glowing skin.
5. Extra virgin olive oil. It’s gotta be EV: Eat it for heart-disease prevention, cancer prevention, its cholesterol-lowering good fats, its antioxidants, and because it’s completely and utterly delicious and frankly, a good olive oil tastes better than butter.
6. Dark leafy greens.Yes, they can be bitter and less than exciting at first, but they are loaded with vitamins and iron and can be snuck into meals easily (omelets, pasta, salads, etc.). Prepared the same way as the broccoli suggestion takes five minutes and is super tasty with eggs for breakfast.
7. Walnuts. These shelled suckers are packed with good fats (the monounsaturated kind), which is great for heart health, lowering cholesterol, boosting brain function, and reducing inflammation. You don’t need many of these to reap the benefits, though. Go easy.
8. Blueberries. What gives these guys a leg up on other fruit is the fact that they’re super low in calories and very high in vitamin C, fiber, vitamin E, and other brain-boosting nutrients. A Tufts University study found that when they evaluated 60 other fruits and veggies for their antioxidant capability, the blues came out on top.
9. Dark chocolate. You should eat this because it’s delicious, and because a recent study also showed its capacity to protect skin from UV damage. The claims that its packed with antioxidants have been recently called into question—you can read more about that here and here—but for now? Might as well go for it.
10. Avocados. As if anyone needed another reason to eat avocados, it’s encouraging to know that in addition to being nature’s unadulterated butter, they’re also loaded with cholesterol-lowering power, potassium, folate, carotenoids, vitamin E, and happiness-inducing monounsaturated fats. (And yes, guacamole counts.)

This is the tenth installment in a series inspired by No More Dirty Looks: The Truth About Your Beauty Products and the Ultimate Guide to Safe and Clean Cosmetics, a book by GOOD’s features editor Siobhan O’Connor and her co-author Alexandra Spunt. It will run every Thursday.




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Chanel Unveils The Bleu De Chanel Ad, Directed By Martin Scorsese via [stylelist]

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by Lisa Schweitzer

We’ve been anticipating Martin Scorsese‘s commercial for Chanel’s new men’s fragrance, Bleu de Chanel, for months. The short was released today, and it features all the grit and energy that the legendary director is famous for.

Following the classic Scorsese
model, a rebellious young actor played by handsome Frenchman Gaspard
Ulliel (of “Hannibal Rising”) refuses to conform to expectations, and
falls in love with a woman who fuels his work though passion and
turmoil. All that’s missing is the famous Copacabana Nightclub
sequence from “Good Fellas,” along with much of his signature violence,
though we guess that wouldn’t be that appropriate for a cologne ad.

But still, wouldn’t it be cool to see someone slashed with a broken Chanel perfume bottle?

Scorsese’s Bleu de Chanel commercial is the latest example of the
fashion world tapping famous names to direct their commercials, or
“short films” as the companies have begun calling them. Gucci recently
released a preview of the 3-D ad for their new fragrance Gucci Guilty starring Evan Rachel Wood and directed by Frank Miller of “Sin City” fame. The full “film” will make its debut at the MTV Video Music Awards on September 12th.

Discover the trailer and the fragrance at the specially set web page.

Martin Scorsese directs actor Gaspard Ulliel for the Bleu de Chanel commercial. Courtesy Photo

Louis Vuitton tapped director Zoé Cassavetes for a short called “Hide and Seek” for which she took Vuitton’s summer designs on a romp through London. And Sofia Coppola directed an ad for Dior’s fragrance Miss Dior Cherie, and is rumored to have recently shot yet another for the luxury fashion house with Natalie Portman, a company spokesmodel.

Interestingly, this isn’t Scorsese’s first short: He shot Michael
Jackson’s “Bad” video in 1987; the full length runs 16 minutes, but was
edited to a more concise segment for television.

Considering that he’s directed 17 actors to Oscar nominated
performances, a role in a Scorcese film is coveted in Hollywood, and
Ulliel feels similarly. “Martin Scorsese is a director whom I’ve
admired for a long time, he says. “I see him as one of the great
masters of contemporary filmmaking. Throughout the five days of work,
he overflowed with energy and enthusiasm and achieved something that
truly stands out from other fragrance commercials.”

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The scent
is pretty nice too. Developed by Chanel’s Master Perfumer Jacques
Polge, it’s woody with notes of dry cedar, grapefruit and labdanum.

What else is Chanel up to? Khaki nail polish.




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Fragrance Reviews and Film Trailer for Gucci Guilty via [elle, mimifroufrou and socialitesanonymous]

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Gucci Guilty

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Gucci is taking a new approach to fragrance promotion.  The Italian fashion powerhouse has created a film to promote their new fragrance Gucci Guilty.  Check out the trailer for the film below:

Frank Miller’s “Gucci Guilty” Commercial Starring Evan Rachel Wood and Chris Evans

Starring Evan Rachel Wood and Chris Evans.
Directed by Frank Miller.
Soundtrack by Friendly Fires.

Also, click here to enter to win a VIP trip to the MTV VMA‘s and meet Evan Rachel Wood and Chris Evans for a night of Guilty Pleasures with Gucci!

-AL

Gucci Guilty, it turns out, carries a message with it which is at the antipodes of a Catholic guilt trip. Turning the fallen-Eve concept on its head, Gucci is launching a perfume which is advertised starting with these words “The Guilty woman is...” Not “This woman is guilty of…”

“The Guilty woman is a glamgirl, daring and audacious; she likes to seduce; she is perceived as sexy. She is obsessed by fashion; she likes to go out and party; she only thinks about gratifying herself. Gucci Guilty…never feel guilty taking pleasure!”…

The fragrance is described as a floral oriental.

I tested it a bit the other day. For now, I’ll confirm that it has a very sexy drydown. In a previous tweet, I said in an early reaction to it that it is “a subtle, sexy, feminine signature rather than a big-statement perfume. Great bottle which can be used as a mirror.” Later that day, I thought that I should have added the terms “very sexy,” and that the name “Guilty”, with its sulfurous connotation, now made more sense. But here the sexy feeling deepens rather than jumps on you in the opening stage.

Notes:  mandarin, pink pepper, peach, lilac, geranium, amber and patchouli.

The advert featuring actress and singer Rachel Evan Wood is supposed to be sizzling. I couldn’t help but think how much her makeup made me think of that of her boyfriend and now fiancé, Marilyn Manson.

See our previous post about it here.

Via tendance-parfums.com

Chris Evans and Evan Rachel Wood Promote Guilty

Gucci’s Frida Giannini launches the brand’s latest fragrance with a pop-art nod to American culture: Hollywood stars, fast cars, and high indulgence

By Rachel Rosenblit

Frida GianniniPhoto: Benoit Peverelli

Giannini wears her own Gucci dress and bracelet. See photos of Chris Evans and Evan Rachel Wood from the shoot below

Graphic novelist Frank Miller is often called a “visionary”—a loaded, hot-air term for many but nearly an understatement for him. He dreams up worlds we’ve never fathomed, like the anarchic, crime-ridden metropolis where prostitutes mobilize in his codirecting debut, Sin City, and refashions history into timeless allegory, as with the 480 b.c. Battle of Thermopylae, sensationalized to controversial effect in 300. His noir-camp aesthetic is gritty, base, and grandiose­—and when his drawings are brought to life on-screen, he exhausts the most cutting-edge CGI to re-create every outline, every hue. A film conceived by Miller is visual candy in the most magnificent way.

One world Miller has never dared enter is fashion, let alone fragrance. But Frida Giannini, Gucci’s creative director (and visionary in her own right) had big plans for Gucci Guilty, her new patchouli-based mandarin-lilac concoction for the “daring type—a woman who likes to take risks, not sit around and wait for things to happen,” she says. In Giannini’s four-year tenure, she’s known the payoffs of taking risks. Her fall collection mixed wintry monotones in whites and steel grays with nods to postmodern whimsy: camel hair combined with neoprene, leather woven with fox fur. It drew a fluid line between sensuality and strength: a tight, body-conscious dress with cutouts and, not two looks later, an androgynous-cool tomboy trouser suit. Giannini’s Gucci girl is a lover of classics with touches of flash, a boho hippie beholden to luxury. But where fashion fantasies leave off, the allure of fragrance can pick up, flush with the promise of sense memory, lust, and covetable identity. To capture a milieu of Guilty-ness—worthy of inspiring the most irresistible transgressions—Giannini didn’t want just an ad campaign; she wanted a graphic novel turned 3-D short film, an auteur’s take on fantasy in the guise of a 60-second commercial.

“Frank Miller is absolutely unique,” Giannini says. “He designed an entire city around Gucci Guilty. I received the storyboards directly from him and could immediately see his vision. I could smell the streets in the movie.”

Action: Driving a white ’53 Jaguar, a woman clad in tight black leather speeds across a skyscraper-flanked bridge to the hauntingly remixed electropop of Depeche Mode’s “Strangelove” (“I give in to sin/ Because you have to make this life livable…”). She screeches to a halt, steps out of the car (close-up on her Gucci leather-and-croc platform stilettos), and flashes back to a pulse-pounding encounter between herself and a smoldering stranger in a bar.

The smoldering stranger is Chris Evans, the 29-year-old actor whose classic good looks and carved-from-granite pecs helped casting agents envision him as the chiseled comic book heroes in Fantastic Four, The Losers, and next year’s Captain America: The First Avenger. Evans spent the summer filming What’s Your Number?, a romantic comedy costarring Anna Faris, in his hometown of Boston, where his family and friends still live. “I missed my high school reunion because I was filming the ad for Gucci,” he says, “but I still hang out with every person I would’ve wanted to see. Nobody moved away; they’re all still dating each other. There’s something in the water.” Evans is close with his mom (“She’s quite a lady—a ballbuster. Real Boston”), cries at Legends of the Fall (“every time”), and loves “smelling something and immediately being taken somewhere,” he says, “like, Oh my God, it’s camp! Or—Jesus—third-grade gym!” Evans is a breath of charisma, a first date you’d love to have. But in Miller’s ad, he kills with just a look.

“He’s an exceptionally wholesome, sensitive guy, but his face becomes so powerful in front of the camera,” Giannini says.

“I’ve spent my whole career designing the hero,” Miller says, “and [Evans] seems to fit the shoes beautifully.”

Enter the femme fatale: Evan Rachel Wood, the 22-year-old Golden Globe–nominated actress and star of Thirteen, The Wrestler, and Across the Universe. Choosing Wood to be the Guilty one was a slick move on Giannini’s part: Not only is she “such a talented and beautiful girl,” as Giannini says, but she brims with intrigue, famous for her unsubtly subversive transformation from a perky blond actress with a wide smile to a mysterious pinup girl with a penchant for blood red lips and black tattoos. Now engaged to Marilyn Manson, Wood starred in the singer’s “Heart-Shaped Glasses (When the Heart Guides the Hand)” video as a wide-eyed fan who has sex with Manson amid a downpour of blood.

“Guilty is about a guilty pleasure,” Wood says. “Full throttle, living in the moment, living dangerously. A girl with a bit of wild side. Scent plays a big role in what you’re turned on by. When you fall in love with someone, and you take a piece of their clothing or smell that pillow—it kills you.”

Wood recently finished filming HBO’s upcoming ’30s-set miniseries Mildred Pierce, a remake of the 1945 film noir starring Joan Crawford, an actress Wood says she’s “idolized my whole life.” Crawford didn’t exactly comprise a tidy Hollywood package, and neither does Wood—but no one could deny either woman’s devotion to her livelihood. By channeling the same fierce integrity that they would bring to a feature film, Wood, Miller, and Evans have lent Gucci’s newest fragrance an inextricable artfulness.

“A guiding rule of mine was that there would be nothing that wouldn’t be gorgeous—the car, the woman, the buildings,” Miller says. “I was on the lookout for the tiniest speck of anything that would’ve looked less than lovely. With Frida on the set, I hardly had to—she’s got an eagle eye. She knows exactly what she wants.”

“I think everyone, in the past, has had a moment—something romantic or sexy or sensual—that lasts for the rest of their lives,” Giannini says. “That’s the provocation for the commercial: the essence of the strong experience. I hope these images will stay in people’s minds for a long time.”

Below, the stars of the Gucci Guilty campaign, shot for ELLE.

On her: Python lace-embroidered shiftdress, $4,795, printed stockings, $95, white gold charm bracelet, $525, white gold and diamond horse-bit bracelet, price upon request, all, Gucci, at select Gucci stores nationwide. Her own ring. On him: Dress shirt, $355, wool pants (sold with matching suit jacket), $2,650, both, Gucci, call 800-456-7663.

Photographed by Dan King





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An Insider’s Affluent Report: The Black Supermodel Mega Success Stories via [MyraPanacheReport]

The Black Supermodel Mega-Success Stories

*I notice a pattern emerging with black
supermodels of today and the past, they tend to date and marry well and
they also invest their money well. I once knew a black model (born in
Compton) who didn’t achieve supermodel status but worked on a regular
basis on the European catwalks.

When she first started out, she had an edge,
after spending considerable time working in Paris and Italy, she became
polished, cultured and well traveled (she also learned languages) and
became engaged to a millionaire doctor, despite the engagement, wealthy
playboys and businessmen were in constant pursuit of her and she
invested her money quite well after her modeling days ended.

NAOMI CAMPBELL:

Naomi Campbell has never had financial problems
and she never will because she surrounds herself (like Halle Berry)
with the right people. Not only does she continue to date rich but she
also takes advantage of the money and investment tips given to her by
rich boyfriends, wealthy associates and powerbrokers in the political
arena.

Allegedly, like Baby (from Cash Money) and
Condoleeza Rice (former Secretary Of State), Naomi also has her money
invested in the oil industry (including oil rigs). This is how it works,
according to a close friend who works in the oil industry. (Keep in
mind, all investment opportunities are structured differently).

You or an investment group invest anywhere from
$1.8 million to $2 million in the oil industry (including oil rigs)
and you are guaranteed a “high” a of $56-$58 million over a seven year
period. This isn’t a ponzi scheme but an great investment opportunity
that’s available on a very rare basis.

Naomi also had an agency (not advertised) that
represented stylists and makeup artists in the entertainment and
modeling agencies on an exclusive basis.

Supermodel Naomi Campbell rarely drives, she’s
usually driven in a Rolls Royce or limousine by a chauffeur/bodyguard
supplied by her boyfriend. Surprisingly, she was recently spotted in
France (Champs-Elysees) departing from a blue Lamborghini.

Few people outside of Europe know the
following: In the 90’s, Campbell developed “The Design House of Naomi
Campbell.”

Through this house, Campbell has created seven
fragrances for women, most of which were released and sold in Europe
exclusively.

The following fragrances were created by Naomi
Campbell: In 2000 Campbell dropped, “Naomi Campbell,” and “Naomagic.”
In 2001, Campbell introduced her third perfume, “Cat Deluxe,” and in
2003 released “Mystery.” A year later a fifth fragrance was made,
“Sunset,” and in 2005 another fragrance was released, “Paradise
Passion.” Campbell’s latest fragrance is a new version of her Cat
Deluxe perfume called “Cat Deluxe at Night.”

Campbell is paid between $25,000-$50,000 per
runway show.

IN RELATED NEWS:

Former model/actress Maria McDonald used to
have food (her favorite meals) flown in from Switzerland to New York via
a private elite air cargo.

McDonald was also known to hop a private plane
enroute to the Swiss Riviera to view the Montreux Jazz festival on Lake
Geneva.

McDonald remains close friends with Iman and
Beverly Johnson. She says Johnson was very generous and helpful to her
in regards to her career. When McDonald was just starting out, one
evening Johnson called and asked her would she like to replace her for a
Harper’s Bazaar fashion shoot?

When McDonald arrived in Los Angeles, Johnson
called the top modeling agencies and asked them to consider signing
McDonald.

Despite both of McDonald’s parents having brown
eyes, all of the McDonald girls (4) have green eyes and their one
brother has brown eyes, all of the girls are model types and stand 5’9
and up, the brother stands 6’7.

In her prime, McDonald often ran into Gia at
auditions (the model who died of AIDS). She said Gia was often withdrawn
and kept to herself.

“MODEL TRIVIA & UPDATES”

(Stunning TV Couple)

When actress/model Maria McDonald appeared on
“Miami Vice,” off set, strangers would often ask her if she was related
to actor Philip Michael Thomas because they share similar features
(they’re not related). Others told them, they were a stunning pair.
Maria will be appearing in an upcoming Tennessee Williams play in New
York. One of Maria’s sisters is Suze Lane, she had a smash disco hit in
the 70’s “Harmony,” which was recently voted the number #2 dance record
of all-time.

Model Maria McDonald (above) once said that
Iman is very business savvy and smart. Iman proved her business savvy
when she launched a successful and lucrative makeup line aimed at women
of color.

Black supermodel Mounia (above) attained her
supermodel status overseas. She equaled Naomi Campbell on the runway and
she was a favorite of designers Versace and Yves St. Laurent. They
considered her exquisite, elegant and classy.

Early in her career, Mounia showed up for
fashion bookings (she wasn’t booked for), before the day was over, she
had the booking!

She is extremely business savvy with solid investments
and she frequently travels between Paris and Martinique (where she
owns a fashion boutique).

(UPDATE!)

Black model Mounia (above) was the first
African-American model to write a book on modeling, “Princesse Mounia.”

Mounia’s actual name is Monique-Antoine, she
felt that the unusual combination had power, granting her a special
connection.

She worked as the airport in Fort-de-France as
an announcer and she was also an on-ground hostess at Orly airport in
Paris.

It wasn’t until 1976, when an important
American client withdrew her patronage from Givenchy after Mounia had
modeled a suit before her, that Mounia was slapped in the face by the
ugly realities of racism in the modeling industry.

Suddenly, she was forced to see that history
was not separable from the present and that she was part of them both.

As she developed her career, Mounia began to
work with designers other than Givenchy. They included Emanuel Ungaro
and Karl Lagerfeld.

Lagerfeld, an iconoclast who did “not detest
provocation” hired her to do Chloe and his own line. When he took over
the design responsibilities at Chanel, he hired Mounia for that house as
well.

She became the first Black model to present the
Chanel collection.

It was her connection with Yves St. Laurent,
however, which was to prove the most fruitful and long-lasting of her
career. Not only was Mounia his star runway model for almost a decade,
she was also propelled by Saint Laurent’s fame onto the pages of fashion
magazines around the world.

Source: Barbara Summers

 

(PAT EVANS)

Black model Pat Evans was a trailblazer. Her
bookings increased significantly when she shaved her head and went bald.
During the late 70’s and 80’s, Evans was a top model. She appeared in
all the major black magazines and she also received exposure in skin
care and makeup ads.

Evans and Isaac Hayes caused a stir when they
were often photographed walking down the street with gleaming bald heads
in full length furs.

Evans also posed for album covers, most
notably, the Ohio Players (above).

After Evans’ retired from modeling, we heard
she became a teacher.

A famous quote from Pat Evans that appeared in
Essence Magazine: Evans herself was a bold as her personal style. She
sent tongues wagging when she criticized the racist attitudes in the
industry and predatory photographers. She said that modeling would never
be an “open” profession for black people until there were more black
owned agencies, products, magazines and above all “black owned minds.”

Former Halston supermodel Alva Chinn was the
first African-American woman to purchase a Ferrari (in cash) in the
United States; her Ferrari was red.

Fashion designer Oscar De La Renta (3rd photo)
is the godfather of black model Alva Chinn’s son. De La Renta also
adopted an African American son who is now his spokesperson.

(BLACK MODEL BREAKTHROUGH-VERSAILLES)

For black models, the defining moment of change
took place at Versailles on a date to remember: November 28, 1973. For
the first time ever, a group of Black American models-no longer
isolated, individual stars-walked off an unusually opulent runway and
onto the pages of history.

The scene was set: The stage of the Opera House
at the Sun King’s imperial chateau. Five American fashion designers
were invited to show their work along with five French couturiers. The
home team: Pierre Cardin, Christian Dior, Hubert de Givenchy, Yves Saint
Laurent and Emanuel Ungaro. The American visitors: Bill Blass, Stephen
Burrows, Halston, Anne Klein and Oscar de la Renta.

Although the numbers were even, the match
seemed to favor the Europeans. They were, after all, playing on their
own court.

But, the American designers had a secret
weapon, Black women. African-American women were the surprise element,
the shock troops on the runway. Billie Blair, Alva Chinn, Pat Cleveland
(above), Norma Jean Darden, Charlene Dash, Bethann Hardison. Barbara
Jackson, Ramona Saunders and Amina Warsuma.

The most dramatic moment came when Bethann
Hardison stalked down the runway in a tight-fitting yellow silk halter
by black designer Stephen Burrows. Hardison held a floor-length train by
a tiny ring on her pinky, wrote reporter LaVerne Powlis. “When
Hardison made reached center stage, she made a dramatic turn and
haughtily dropped the train. The audience exploded in a frenzy of
approval. They stomped, screamed and tossed their programs into the
air.

According to NY Daily News photographer-Bill
Cunningham: “The bejeweled Paris audience was stunned by the showmanship
of the black models from America. The aristocrats were even thrilled.”

Fashion was never to be colonized in the same
ways again. And Black American models, who had moved over the previous
25 years from near invisibility to grudging recognition, now commanded
center stage, never again to be ignored.

Alva Chinn described the Versailles gala as a
gift from God. Our side was so simple. We didn’t have props and things,
we just had us.

Norma Jean Darden added, “Stephen Burrows stole
the show. People were just clapping for days.”

Charlene Dash said simply: “We killed them!”

The Black girls led the Americans to such and
overwhelming uncontested victory that one important American socialite
present at the gala enthused: “Not since Eisenhower liberated Paris have
the Americans had such a triumph in France.”

Source: Barbara Summers

“FASHION SENSE CONTINUED” (KHADIJA)

Khadija (above) originated from Nairobi, Kenya.
She was a beauty queen (Miss Africa) and in 1985 she went to London to
do the Miss World pageant where she selected as an finalist.

A photographer called her up and suggested that
she go to Paris to meet fashion designer Yves St. Laurent.

Her debut with Saint Laurent led to the cover
of Cosmopolitan (above). She received tremendous exposure and won an
exclusive makeup contract with Saint Laurent cosmetics, the first
transracial line to feature a Black model and the first to be named
after an individual (Khadija).

Unfortunately, in the 1980’s, people wrote
nasty letters because a black woman represented this line. Sales went
down and the line didn’t last long.

At her peak, Khadija generated $350,000 per
year in income.

In the 1990’s, Sonia Cole (above) was a huge
runway star in Europe, the United States and Japan.

Before her success, she worked at Caesar’s
Palace dressed as Cleopatra. She walked around handing out money to big
winners, giving directions, greeting people and posing for photos with
tourists.

While working a casino hosted-private party,
Cole met Bill Cosby. He asked her what she really wanted to do and she
told him: “I want to go to Paris to model.”

Within two weeks of meeting Cosby, Cole was in
Paris (with her husband) doing shows.

The rest is history!

 

BACKSTORY: (PAT CLEVELAND-RUNWAY QUEEN)

According to supermodel Janice Dickinson: “Pat
Cleveland (above) was one of the greatest runway models ever!  When she
moved, she painted the air around her with the clothes-a veritable riot
of living color.”  She was Halston’s favorite model!

 

Author and former model Barbara Summers
described Pat Cleveland (above) as the model who dominated the stage,
“the stage belonged to her.” Flights of fantasy were her specialty.
Airy, winged spins and long, liquid gestures were standards in her
repertoire. Impossibly ethereal, she could, as model Rene Hunter said,
“tell a story in a dress.”

Pat also spoke fluent Italian and liked to
frequent outdoor European cafe’s that served freshly squeezed orange
juice.

Pat says, “My aunt was a dancer with Katherine
Dunham. When I was five years old, I used to dance with her, too.”

“My great aunt was Josephine Baker’s Sunday
school teacher. So I always heard these stories about this little girl
who went away to Paris and never came back. And that’s what my plan
was.”

“During my modeling years, I was looking for
fun. I used to go out dancing at Le Club and Cheetah because I had the
right clothes. If you want to get famous, dress up! Yes, fame was on my
list. I had to get out and get famous because those people were the
ones who were having all the fun.”

Pat recalls of the more intense days spent
traveling with the Ebony Fashion Fair in the mid-60’s.

“I was in a bus in Arkansas not long after
those little girls got killed in the church. People were throwing bombs
around our hotel. Disgusting things would happen.

Another time we were pulling out of Arkansas,
and the Ku Klux Klan were coming, and they were throwing things at our
bus with flames and fire, trying to kill us. I’ll never forget that.

They didn’t want to hurt us, they wanted to
kill us because of our color. People threw rocks at us because we were
Black. They tried to rape this one girl. It’s so awful to see what can
happen.

PAT CLEVELAND & STERLING ST. JACQUES

Pat Cleveland (pictured above with late
designer-Halston) and Sterling St. Jacques had become so popular and
famous on the NY party scene; including Studio 54 that several magazines
did interviews on them; including “After Dark,” magazine. They also
created a stir at the “Black & White,” ball in New York with their
sophisticated dance and runway moves.  They were also in demand on the
European dance circuit and were very popular in Champs Elysees and they
were a hit at Halston’s masquerade ball.

After a fashion show in Paris, the legendary
Josephine Baker was so impressed with Pat Cleveland that she went on
record as saying, “If my story is ever brought to film, I want Pat
Cleveland to portray me, she even resembles me.”

In Paris, Pat was roommates with Donyale Luna
(above), the first black women to grace the cover of Vogue. Luna became
so popular in France. Four French boys would camp outside of her
apartment each night and follow her throughout the day. When she wore a
dress with a long train, the boys would walk behind her, carrying the
train of her dress. Luna died in 1979 of an accidental pill overdose in
Rome, Italy.

Pat would go on to marry a multi-millionaire
Park Avenue executive. They have homes in Italy and Switzerland. In the
summer, you can find them relaxing on their luxury yacht.

Pat has a son who stands 6’5 and her daughter
is 6’0.

I left America the first time and said I wasn’t
coming back until I saw a Black model on the cover of Vogue. It took
me a long time. In 1974, that’s the year I went back.

Just living it up in the South of France or
taking off with backpacks and going to Egypt. The opportunity to see the
world is definitely there.

“You have to keep your fantasies alive. If you
think you can be something, go for it. If you think you can go
somewhere, try. You have to be a bit bold.

Darnella Thomas was the first African-American
woman to model for the “Charlie,” ad campaign. One day, while she was
shooting a fashion catalog, she said to herself, “This is boring, I need
something else, something that’s really stimulating.”

A friend on Wall Street was into coal tax
shelters and he had coal mines in Kentucky. He told Darnella if she was
looking to get out of modeling, he could set her up in
business-brokering coal.

Darnella got a chance to go into some coal
mines. She says, “You had to crawl down there. Some people went in and
got scared, and they had to be taken out, but I was fine.”

“It was really exciting. We even visited the
Department of Defense. We got our first contract through the Southern
Alabama Power and Light Company for 25,000 tons of coal.”

Darnella did very well financially in this
industry.

Source: Barbara Summers

Former model Grace Jones has defended infamous
New York City nightclub Studio 54, insisting “moderation” was always
practiced by its patrons.

During her modeling days, the singer was a regular
fixture of the 1970s hot spot, which became known for sexual activity
and rampant drug use that occurred after hours.

But Jones maintains the discotheque was a far more
civilized place than its notorious reputation suggests.

Jones claims she had wilder nights at Big Apple
gay bar the Paradise Garage-because venue bosses allegedly provided
partygoers with drugs instead of serving liquor.

She adds, “At the Garage, there was a big bowl of
whatever concoction they had there. The Garage was the club that opened
at four, with a blend of juices or something and they used to spike it
with acid and stuff. Because actually they didn’t have a liquor
license so you know, hey let’s put acid inside!”

Renowned modeling scout Claude Mohammed Haddad
had an exceptional eye for potential models.

“I went to New York,” he says, “I found Grace
Jones, the one black girl, in an elevator. She was coming down from an
agency. She looked so angry.

She said, “They don’t like black people in this
country.” I said, come to Paris.

Grace arrived in Paris and became a success!

(THE WOMAN WHO HELPED CREATE THE BLACK MODELING
INDUSTRY)

Madame Ophelia DeVore (above-both photos) is an
institution. She was not only the first model of color in the 1940’s
but she used the power of the media via her fashion column in the
Pittsburgh Courier to showcase black models. Although the major New York
City department stores had never done so before, they lent her clothes
for Black models to wear in photographs in the paper.

Doing what no others had done before on such an
ambitious level, she took it a step further by refining skills and
expanding into public relations, fashion shows and television. She took
the black modeling industry to its zenith.

“I started putting on contests so the models
could get experience walking on a runway and on stage to develop stage
presence.”

DeVore was the teacher, agent and promoter.

In 1959, and again in 1960 and 1961, her
protege’s were crowned Queen of the International Film Festival in
Cannes. Cecilia Cooper was the first Black woman to win. When she won,
she had the seat of honor over all the top movie stars. According to
Madame DeVore, “UPI (the wire service) almost died because a Black
American had won the title.” Devore models LeJeune Hundley and Emily
Yancy won in succeeding years.

Source: Barbara Summers

BACKSTORY:

Madame DeVore began modeling at the age of 16.
As a fair-skinned African American, Madame Devore gained contracts
throughout Europe. In 1946, determined to create a new market for
non-White women in the U.S., Madame DeVore would establish The Grace Del
Marco Agency.

In the agency’s early days, it was a stepping
stone for countless household names; Diahann Carroll, Helen Williams,
Richard Roundtree, Barbara McNair, Cicely Tyson and others. Racism was
rampant in New York’s fashion business and the Grace Del Marco Agency
was one of the few places non-White models could gain work.

Her agency’s shows took place in churches,
college campuses, and in the ballrooms of the Diplomat and
Waldorf-Astoria hotels. Like many non-Whites in the mid-twentieth
century, DeVore’s breakthrough came in Europe; specifically through the
French fashion world.

The initial impact took place at many of the
Cannes Film Festivals during the 1950’s and 1960’s. Madame Devore also
seized media for business equity by co-hosting ABC’s Spotlight on
Harlem. Her intensity to “make it” demanded relentless dedication and
work ethic; enough to cause her a heart attack while still in her
twenties.

In the agency’s later years, it was renamed
Ophelia DeVore Associates, and then the Ophelia DeVore Organization. In
1985, DeVore broadened her enterprise globally to include Swaziland as a
client, and published her late husband’s newspaper The Columbus Times.

“Her specialty is polishing black diamonds
(models),” declared one newspaper article.

Due to her business acumen, she has served as
consultant to many of America’s Fortune 500 corporations. DeVore has
received more than 200 awards and honors from corporate, political,
educational, governmental and social agencies.

It was already bad enough that the Ford Modeling
agency was nicknamed “The White House,” but agency head Eileen Ford put
her foot in her mouth when she told the author of “Skin Deep,” that a
book about Black models would be a short one.

Barbara Summers’ is a former Ford model who proved
Eileen Ford wrong. Summers traveled to three continents to do research
for this book and she doesn’t disappoint.

Summers’ also provides interesting and insightful
information on black model Donyale Luna.

By the end of the 60’s, Naomi Sims (who we
featured last week) was earning $1,000 per week and now Sims wasn’t
alone.

When Donyale Luna (above) was asked where she
hailed from, she answered, “I’m from the moon darling.”

Her feline looks and wild behavior made her a
sensation in London and Paris.

Although she was the first black model on the
cover of British Vogue, her career was cut short. She died in a clinic
from an accidental pill overdose in 1979. She was 33.

Source: “Model,” by: Michael Gross


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The OpuluxeLtd.com’s Daily Obsession: NEW By Kilian Collection created by Kilian Hennessy via [beautysnob and fragrantica]

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New By Kilian Collection

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KILIAN_SP10 New  Product_Discovery set 02.jpg
By Kilian just launched Kilian
Collection
($140) which is a set of smaller vials of all of By
Kilian’s unisex scents —

* Prelude to Love, Invitation

* Love, Don’t Be Shy
* Beyond Love, Prohibited
* Liaisons
Dangereuses, Typical Me
*Cruel Intentions, Tempt Me
* A
Taste of Heaven, Absinthe Verte
* Straight to Heaven, White Cristal

* Back to Black, Aphrodisiac

Love, love, love the
names! As anyone who knows me knows I’m a sucker for cutesy names
(especially when it comes to nail and gloss shades), and luxe
packaging. By Kilian was started by the heir to the LVMH empire, Kilian
Hennessy
, so it’s only fitting that the celeb-favored fragrances
are luxuriously packaged (Keith Urban was just seen picking some up
for Nicole Kidman at Harrods!). This set comes in a gift box with black
tassels on each end of the box (very sexy and Agent
Provocateur-esque). I received small vials of all the scents to sample
and loved them so much that I bought the collection as a graduation gift
for my friend studying perfumery in Paris. If you’re the kind of
person who changes your fragrance with your moods this is the perfect
set as each of the luscious fragrances are wholly unique (though all
seem to have been created with many different notes, so I wouldn’t
suggest the set for anyone looking for ultra-light, non-complex
scents).  


Prelude to Love: Invitation to Kilian  Hennessy`s Fragrant Empire

Prelude to
Love: Invitation to Kilian Hennessy`s Fragrant Empire

Kilian Hennessey, heir and grandson of the founder of The LVMH
group, luxurious brand Hennessey known worldwide for their production
of quality brandy, dared to start a brand, which will have aromas as
their main concern, just like the quality brandy.

He spent his childhood
with creations from his family’s wine cellars Cogniac, enjoying aromas
and watching his ancestors’ art.

After he graduated (“Schools of Higher Studies in the Information and
Communication Sciences” in Sorbonne), he wrote semantic theses on
language in common to gods and mortals. In his study “Angel’s share” he
met with the world of perfumery.

Angel’s Share is what the house of Hennessey explains as percentage
which evaporates from Cogniac cellars, as if angels themselves drank
that share, which is the gift to gods.

The perfumes presented
by the house of By Kilian are aromas which Kilian Hennessy has been
carrying with him since he was a child. They originate from the wine
cellar; they are sweet and alcohol-like, with an intoxicating, woody
scent of cognac vet. After he graduated, Kilian trained with the
greatest noses in perfumery and worked for the prestigious perfumery
houses such as Dior, Paco Rabbane, McQueen and Armani.

The collection “L’Oeuvre Noire” which includes 6 perfumes was
introduced in 2007. Each of the perfumes has both their title and
subtitle. Perfumers who worked on the collection are Calice Becker and Sidonie Lancesseur . The collection encompasses
the following perfumes:

A Taste of Heaven by Kilian – Absinthe Verte –
fragrance for men
Beyond Love by Kilian – Prohibited – fragrance
for women
Cruel Intentions by Kilian – Tempt me – unisex
fragrance Liaisons Dangereuses by Kilian – Typical me –
unisex fragrance
Love by Kilian – Don’t be shy – fragrance for
women
Straight to Heaven by Kilian – White crystal –
fragrance for men

The 7th perfume, Prelude to Love – Invitation, a fragrance for men
and women, will be joining the collection “L’Oeuvre Noire” in September
2008.

Prelude To  Love <br/>Invitetion by Kilian

This fragrance is based on the theme “Love and its prohibition”, and
is an olfactive memory of the first date. Cheeks blushing, heart is
beating like crazy. This exciting moment is refreshed with a bouquet of
beautiful citruses. Sweetness of bergamot, with delicate aromas of
orange from Seville, embraced by sparkling citruses, twists your mind
seductively and sends you a direct invitation for love.

The heart of the perfume Prelude to Love – Invitation includes intensive
ginger and accords of pepper, supported by neroli and orange blossom.
The base notes incorporate irresistible iris from Florence, which breaks
all possible barriers and prohibitions with its magnificent aromas.

The perfumer of this edition is Calice Becker. The perfume is available as 50ml edp
refill edition and as 1 liter refill fontaine edition.

Press Release By Kilian
Official Site By Kilian

Author: Sandrina (sandrina_bambina)

Fragrantica Member




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